Hey All,

So in going over my CPF content I found a video I took to demonstrate what it takes to repatch at the Abrons Arts Center. The light board was perched on the balcony level. The patch bay on the proscenium wall stage right. Sometimes I’d make this trip in as little as 3 minutes to repatch during a film from one play to another.

Hello all,

I am excited to report that my article is coming together. Both for technical and sheer time reasons, which my article will discuss, the blog suffered badly. In any case, it was a pleasure to keep you posted as much as I could, and I hope you all enjoy the article in the magazine as soo as it comes to print.

The Crown Point Festival has become one of the most daunting design tasks I have ever undertaken. A tech week that lasted a non-stop. Monday from 8:30am until the following Sunday at midnight. Because of the limited budget we are working with I simply haven’t been able to find a competent board op/production electrician that I could trust to run the show from night to night and so that person has been me. Sleep has become a rather foreign concept as I have spent my days here with Tirschwell and Company and my nights at the Crown Point Festival. More to come soon, including art and a brief retelling of what it was to tech this monster.

I do apologize for being so negligent in my blogging responsibilities. the past week has afforded me no time for anything, let alone the blog. Now that things have calmed down slightly, look for more entries. Thanks all.

Tailers set designer Lara Fabian provided me with a prelimary set sketch this morning. A short drama about the nature of want, the Tailers is set in a hotel room. We’ll be relying on a drastic color shift to turn this warm, welcoming space into a more cold antiseptic space as time goes by.