We had a swell morning of questioning and answering after seeing PASSING STRANGE last night. There were lots of great questions from the impossibly young types. Sorry you missed the fun.

Kevin Adams during Friday’s post-session Q&A at the BLMC.

The past four days have been remarkable. I could write several volumes on what I learned on Monday at Projection Master Classes, but I don’t have the time. I’ll just sum it up by saying that projection, LED, and media technology are SO advanced that it’s a bit intimidating, but I really believe that it is a HUGE component of both scenic and lighting design in the future. It will DEFINITELY play a huge part in shows we all design in the future, whether on Broadway or for WWE wrestling or anything…

NJTransit buses were running really slow on Tuesday, so I walked in to BLMC on Tuesday right as Ellen Lampert-Greaux was introducing Jules Fisher. He, as well as his presentation, are…well…legendary.

Something that I came to BLMC specifically for was to hear Beverly Emmons and Clifton Taylor’s presentation, Color Therapy. They spoke a lot about the physics of light (kind of neat for a science geek like me). They used a bunch of scrollers and a mannequin to demonstrate color mixing, however not on a wall or piece of scrim. The mannequin helped to visualize mixing on the body.

Fast Forward to Thursday…
Last night we went to see Passing Strange on Broadway at the Belasco Theatre. Kevin Adams’ design is well, I’m not sure. I don’t really see it to be “lighting design.” Yes, he has a rig in the air with lekos and PARs and stuff, but the rig in the air really wasn’t what the show was all about. Kevin Adams and Dave Korins’ light wall really drives the show. All of the neon and fluorescent and LEDs and birdies in the wall complement Stew’s music. It’s also really cool. I could and would write more in this blog, but Kevin Adams is standing right behind me and is going to blog. I’ll be back soon to finish my recap (and hopefully) chronicle my adventure next year as I start at college in the Fall.

Blogger Zephan Ellenbogen (left) shows off his TMB socks at the manufacturers showcase during on Wednesday at the BLMC.

I am so glad that I had the opportunity to attend all 3 sets of classes.

I have met some great people, but even more importantly, been able to get the stimulation and rejuvenation that I so desperately needed. It has been wonderful to have so many talented and knowledgeable professionals enthusiastically share their skills, experience, and art with us.

I am truly ready to go home to work and teach.

Thanks, LIVE DESIGN, for an incredibly valuable experience.

First of all, this was an amazing group this year at the BLMC, standing room only at lunch. I’ve never seen the lunch room so crowded, but even during my session, everyone was so attentive and excited to be here that, as a teacher, it energized me.

In this situation, you always want to feel useful, like whatever you said is being retained, and that people are adapting it to their own experiences. But at the same time, the students and attendees are giving you inspiration back. I really feel that way here. There was a lot of energy and interest in this group.

BLMC creative consultant Jules Fisher (left) and BLMC speaker and LD Brian MacDevitt at Thursday’s manufacturers showcase and lunch.

Hello from the BMC I just want to let all you theatre people out there know that the BMC is a once and a lifetime opportunity to learn from the best of the best. The people I have met and the things I have learned will indeed help me in furthering my career in the theatre world. Things are always changing in the world and attending the BMC allows you to stay current with everything in the theatre world.

Cheers,

William Digneit